“It’s a little unusual that we sit within the retail environment, it’s not your conventional setting but feels somehow totally natural” shares Ben as he begins to tell us about Bacino.“we’re a bit of escapism from shopping when you’re looking to take a break and a destination of its own.” As we walked around, we were mesmerised by the restaurant’s interiors: wavy lines, vibrant colours, and cool aesthetics. From the walnut and other joinery details, there are beautiful nods throughout that scream 70s, and yet the modern elements balance the past, present and even the future out seamlessly. “You’ll notice the space is heavily textured and detailed,” says Ollie. “This happened gradually as we worked through the concept and leaned towards creating a juxtaposition between rough and super glossy materiality.”
While the exterior of the building represents a historic period of time, their brief was to create an escape from the business—and that they did. “There’s history to this building, and naturally as designers, we would look to preserve what we can. This is something that we’ve done in other spaces. Whereas for Bacino, it was different. Our landscape was what surrounded us; brilliant, modern, and contemporary interiors, white walls, and black track fixtures.”
When developing the concept for the restaurant, they had always known they wanted to do a spin on modern Italian, while doing that in a more contemporary way. “It originally started this heritage Italian detailing with open archways and curvature to the back bar. It later grew into the 70s influence,” shares Ollie. “For this, it wasn’t about buying antique furniture—we didn’t want it to get chintzy and so all the pieces are made bespoke. The key thing for us is that we wanted the space to be quite playful and leaning into the Italian heritage detailing can be repetitive. Whereas, the pastel pink tones, baby blues, teals and greens all make it feel quite playful.”
While you’re sat there on the rich red sofa looking out onto the bar with the marbled worktop, baby blue paints and velvety blue stools, flicking through the cocktail menu and thinking about what next to drink, you’d be forgiven if you felt like you were on a movie set. Although he had nothing to do with the original concept, the space feels so familiar, so Wes Anderson. “We had been on the build for 8 weeks at this point and it was coming together quite quickly. It was during one of the photoshoots, it began to feel accidental Wes Anderson with the symmetry, the colours, the canter lever chairs and chrome detailing.”